落合陽一は早死にを望んでいる?落合陽一の印象を語るひろゆき【ひろゆき/切り抜き】

ひろゆき,hiroyuki
→https://www.youtube.com/channel/UC0yQ2h4gQXmVUFWZSqlMVOA

チャンネル登録よろしくお願いします!

#ひろゆき
#落合陽一
#切り抜き
#ひろゆきの民

落合陽一『日本進化論』の論点

こんにちは。
今回は今話題のメディアアーティストである落合陽一氏の『日本進化論』の論点を紹介します。
落合氏の書籍は読むのに若干難しい部分もありますが、非常に勉強になりますのでオススメします。
一言でまとめると、
『次の時代をどうつくるのか?』について議論がなされています。

Twitterも生活に役立つ情報を毎日配信しています。ぜひフォローお願いします。
@DiSk19014774

時田ロルフ=落合陽一=マルクス・ガブリエルの野望

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注意❗️批評家と一緒にいろんな物事を考察するチャンネルです。「冷笑論破をしたがる高二病もブロック」「複垢による論破したがる高二病もブロック」「知り合いは基本的にお客さん妨害だからブロック」「アイドル対応は絶対にしません」。「個人的な質問はブロック」。「カウンセリングはしない」ので、寂しい方は他へどうぞ。心理学や恋愛などの悩みは具体的に書いてください。また甘えた回答はしないので、「ご注意を」。特定を指す他意はありません。

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古田更一 カルチャー批評家、天才系YouTuber(カオスフォレストの元気な方)
時田ロルフ 歴史批評家、歴史批評YouTuber(カオスフォレストのクールな方)
静 高収入プログラマー&現代アーティスト(カオスフォレスト のナルシスト)

公式サイトで2週間に1度、ロルフ氏が役に立つ政治経済の批評をUPしています。たまにUPする古田の記事も、是非お楽しみください。

Borrowed Scenery and Materialized Waves, Yoichi Ochiai, 2019

In Tibetan Buddhism, there is a Buddhist tool called a maniwheel. It is said that spinning it has the same effect as praying words. As the maniwheel rotates in the landscape, it plays the words of prayer for reincarnation, reminding us of the harmony and transformation of the human soul and the landscape. This artwork is a sculpture that finds its inspiration there. And “borrowed scenery” is the principle of “incorporating background landscape into the composition of a garden” found in traditional East Asian garden design. This sculpture is a material mirror in the form of a wave. The apparatus is a material mirror, while it is a matter, defying gravity, and while it is a form, it is freed from its own form by reflection. The motions become part of the landscape transformer. These sculptures are supported by the integration of computer optimization calculations, fabrication technology, and magnetic technology. Waves are born in nature, in the ecosystem that we humans and the outside world create. Waves propagate. Forms receive waves. Forms transmit waves to intelligence. The intelligence drives the shapes through the waves. And again this creates waves. The intelligence converts the landscape into scenery. And the interaction between the intelligence and the waves creates another scene. Waves, matter, and intelligence. The linkage between them is beautiful. The undivided nature, the world, is a huge, single, holographic computing mechanism that uses natural waves. This work brings to the observer a new perception of the body connected to the landscape in both material and spirit.

Date of Completion: 2019-05-16
Media Used: 3D printed structure, Magnet, Electromagnet, Microcontroller, AC/DC converter
Art Project Conceptual Description:
Yoichi Ochiai freely crosses the boundaries of research and artistic activity, and continues to explore and express his philosophy. While engaging in media art as a meta-artistic activity that includes the invention of media devices and media contexts, he continues to think about the worldview of the Digital Nature, in which the material world with mass and the digital world of massless data melt together. In this context, media art is positioned as the vernacular folk art(“Mingei” in Japanese) of the Digital Nature, and is the subject of his activities. Based on the idea of oriental materialization (all things change and circulate without any formality), which is derived from Laozi and Zhuangzi, the works are rooted in the idea of the relationship between imaging devices and media devices since the 19th century, digital transformation and oriental materialization, and the similarity of natural phenomena and data. This artwork meditates these concepts into the scenery and sculptures.
Project URL: https://yoichiochiai.com/art/materialization-of-wave/
Contact Email: ochyai.manage@gmail.com

Shooting / Editing: Yoichi Ochiai
Music: Brightwaltz